“I had no experience,” Mann related, “and started off by finding places for the band to play, hauling equipment and doing sound. Shortly after that, Phil and I both just walked away from school and rented a two story house in the same neighborhood David lived in.

“Phil was outgoing, athletic and liked trying different things. We were all very close, almost like brothers, but we were very focused on becoming a success and doing our respective jobs.”

Mann spent a short time working with the various lineups gleaned from three legs of the Whistler, Chaucer days. The first show he set up outside of the clubs and occasional party gigs was the Scott Theater concert where they were billed as The Unwritten Works (see Chapter Two). He would soon prove himself to be worthy of equal partnership.

Now that Mann was in, the next link was musical- a drummer. While in Austin during late Spring of ’69, they happened to ask around. Drummer? Sure, someone said. In fact there was a good one, and he happened to be from Fort Worth. Space Opera tracked down and met with the final link in the musical equation: Brett Owen Wilson. Wilson was not unknown to the guys. He had gone to school with them at Paschal, had been in fact a popular cheerleader there, and had played drums around Fort Worth in various jazz combos, most notably with compadre Ridgway Scott. Arrangements were made for a tryout.

Wilson told his then girlfriend and future wife, Claudia Wormley, about it. There was something about the guys- a positive energy. (더 보기…)